Top 15 Geto Boys Songs

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Although gangsta rap’s controversial themes didn’t hinder its mainstream success in the ’90s, the Geto Boys faced challenges in gaining widespread exposure due to the extreme nature of their content. Their 1990 major-label debut encountered significant pushback from Geffen, who refused to distribute the album, citing a track that delved into necrophilia and murder as crossing a line. To bypass this obstacle, Rap-A-Lot Records, the group’s label, collaborated with producer Rick Rubin, who secured an alternative distributor and released the album under his Def American label.

This controversy, which predated similar censorship battles faced by artists like Ice-T and 2 Live Crew by two years, ultimately brought the Geto Boys substantial attention. Their subsequent album, We Can’t Be Stopped, went platinum, but by 1993, tensions within the trio—comprising Scarface, Willie D., and Bushwick Bill—began to surface. After each member pursued solo projects in the mid-’90s, the Geto Boys came back together in 1996 to produce one of their most acclaimed works, The Resurrection.

For this list, we’ve chosen our top 15 Geto Boys tracks. Did we miss one of your favorites? Let us know in the comments!

 

15. City Under Siege (1990)

“Now let’s go back to the past / The motherf*cker who needs to be tried is Ronald Reagan’s a*s / Appointed Bush to the C.I.A / That sh** was cold / Put Noriega on the payroll / All of a sudden sh** changed / Right after ’88 (Yeah, yeah, yeah) / Hm – ain’t that strange? / Some think I’m goin too far / But if you wanna go to war, I take you to war…”

This track, featured on The Geto Boys’ remix album, showcases Rick Rubin’s production skills. The 1990 album offers revamped versions of songs originally found on Grip It! On That Other Level (1989), along with a reimagined version of “Assassins” from their 1988 debut Making Trouble.

The Geto Boys also introduced two new tracks: “Fuck Em” and “City Under Siege.” In “City Under Siege,” the Geto Boys connect the dots between street-level drug trade and government corruption, while also confronting police brutality. A powerful track.

 

14. We Can’t Be Stopped (1991)

“Let’s talk about a scandal / The album Geffen found too hot to handle / F*cked up the minds of you and yours / The last LP from the Geto Boys / Can you believe those hypocrites / Would distribute Guns n Roses but not our sh** / And they say we’re a racist act / Ain’t that the pot calling the kettle black…” 

The opening track of the Geto Boys’ third album hits hard right from the start. The song addresses their fallout with Geffen Records, which dropped them after the uproar caused by their previous album Grip It! On That Other Level. The Geto Boys make it clear, however, that they won’t be silenced.

 

13. Straight Gangstaism (1993)

“Seven years old, I’m lookin up to the gangstas in the hood / Cause to me and my cousins, yeah, they represented good / Even when we played cops and robbers on the block / Nobody wanted to play the cop, dig it…”

While the 1993 album Till Death Do Us Part lacked the intense energy that Willie D brought to the Geto Boys, Big Mike stepped in as a solid replacement. On this track, Big Mike teams up with his Convicts partner 3-2 to create a smooth, laid-back Southern track that perfectly captures the region’s signature sound.

 

12. Do It Like A G.O. (1989)

“I’m back like a rebel ‘making trouble’ / I’m an Assassin, kickin a*s on the double / No motherf*cker alive’s gonna stop me / So f*ck you and your godd*mn posse…” 

Released shortly after Straight Outta Compton, the Geto Boys’ second album Grip It! On That Other Level matched N.W.A.’s groundbreaking work in both controversy and quality, though it never achieved the same level of acclaim.

Grip It! On That Other Level featured top-notch production, primarily from DJ Ready Red, and provocative lyrical content. By this time, the Geto Boys had solidified their status as one of the most notorious and influential Hip Hop groups of their era.

The album’s sole single, “Do It Like A G.O.”, remains a powerful and enduring favorite among fans.

 

11. Crooked Officer (1993)

“Mr. Officer, crooked officer / I wanna put your a*s in a coffin, sir / Cause you done f*cked with n****s like myself for too long / It’s time to grab my motherf*cking nine and get it on…

The Geto Boys addressed police brutality with a more extreme stance than N.W.A. did in “Fuck Tha Police.” This track can be seen as a forerunner to Ice-T’s notorious “Cop Killer,” with Big Mike’s provocative chorus clearly expressing the group’s views on how to respond to racial profiling and police violence against young black men.

The video’s introduction clarifies that the focus is on corrupt officers rather than law enforcement as a whole—highlighting their disdain for “killer cops” rather than endorsing violence against all police.

 

10. Yes Yes Y’all (2005)

“I’m the original, the author of this G-sh** / You n****s pitiful, cause y’all be on some weak sh** / Me I’m a n**** from the gutter motherf*cker / If rap wasn’t payin I’d hit the street cause I’m a hustler…” 

From the 2005 album The Foundation, this track produced by Scarface captures the classic Geto Boys vibe, featuring standout lyrics from Scarface, Willie D, and especially Bushwick Bill.

 

9. Assassins (1990)

“Got happy with the trigger, now I’m on the run / An assassin…” 

This updated version of the 1988 track ‘Assassins’ is a pioneering example of ‘horrorcore.’ With its outrageous lyrics brimming with violent and chaotic fantasies, it offers a mix of both thrilling and unsettling elements. The track stands out for its intense instrumental, which makes it sound incredibly powerful.

 

8. Still (1996)

“It’s “die muthaf*ckas, die muthaf*ckas!”, still…”

The opening track from Geto Boys’ 1996 album The Resurrection, this song gained additional fame for its appearance in the 1999 film Office Space, much like “Damn It Feels Good to Be a Gangster.”

The Resurrection marked the return of Willie D to the group, rekindling his strong dynamic with Scarface and Bushwick Bill. “Still” serves as a statement that despite their time apart, their essence remains unchanged. The track is notably memorable for its haunting production by Rap-A-Lot’s in-house producer, N.O. Joe.

 

7. F**k Em (1990)

“To every motherfu*cker who diss my crew / I’m sayin f*ck you, now what you hoes wanna do?” 

The first track on The Geto Boys’ remix album, this song is one of two new additions not found on any prior release. It stands out as one of the most intense Hip Hop tracks ever, showcasing the quintessential style of the Geto Boys.

 

6. Damn It Feels Good To Be A Gangsta (1992)

“Damn it feels good to be a gangsta…” 

Originally released as a bonus track on the 1992 greatest hits compilation Uncut Dope, this song gained significant fame when it was featured in the 1999 film Office Space. The track is notable for its humorous final verse by guest rapper J-Prince, who humorously adopts the persona of the U.S. President, rapping: “Now I got the world swinging from my nuts… And damn it feels good to be a gangsta.”

 

5. Scarface (1989)

“Nobody knows my name, they’ll only know this face / And ask my posse, they say, “We call him Scarface”…”

“Scarface” is a solo track by Scarface from the Geto Boys’ second album, Grip It! On That Other Level. Featuring samples from the iconic Al Pacino film Scarface, this track tells a gripping gangster tale, introducing listeners to Scarface and hinting at his future musical success.

 

4. The World Is A Ghetto (1996)

“Fools fleeing their countries to come here black / But see the same bullsh** and head right back / They find out what others already know / The world is a ghetto…”

“The World Is A Ghetto” stands out as one of the Geto Boys’ more socially aware tracks. Alongside “Still,” it contributes to the impactful opening of their 1996 comeback album, The Resurrection.

 

3. Six Feet Deep (1993)

“But ain’t much that we can do / Except pour brew throughout the crew / To make sure we all remember you / And believe me it hurts / To see the boy you broke bread with six feet in the dirt…” 

A poignant track from the Till Death Do Us Part album, featuring heartfelt verses from Scarface, Bushwick Bill, and Big Mike, reflecting on lost friends.

 

2. Mind Of A Lunatic (1989 / 1990)

“Think this is harsh? This ain’t as harsh as it gets / No telling what’s being thought up in the mind of a lunatic”

One of the tracks that significantly contributed to the Geto Boys’ notoriety, this song, along with ‘Assassins’ from their 1988 album Making Trouble, is among the pioneering examples of ‘horrorcore’ rap, featuring graphic, psychopathic imagery.

There are two versions of the track: the original from Grip It! On That Other Level and a remixed version from The Geto Boys Remix Album. Both versions are impressive, but the remix offers a slight edge in terms of impact.

 

1. Mind Playing Tricks On Me (1991)

“At night I can’t sleep, I toss and turn / Candlesticks in the dark, visions of bodies being burned / Four walls just staring at a n**** / I’m paranoid, sleeping with my finger on the trigger…” 

Is there any other track that could claim the top spot on this list? Absolutely not. This song is not only the Geto Boys’ most iconic track but also ranks among the greatest in Hip Hop history.

For the full story behind ‘Mind Playing Tricks On Me’ and the other tracks on We Can’t Be Stopped, refer to Brian Coleman’s Check the Technique: Liner Notes for Hip-Hop Junkies.

 

Credit photo: “GETO BOYS” by Jeremy Perez Photos is licensed under CC BY-SA 2.0.

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